No. 17 (2011): Image and Text

Open Section

• Editorial Space, Ritual, Absence: the liminal in South African visual art

  James Sey

  6-13

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• Video, migration, and hetero-temporality: the liminality of time

  Mieke Bal

  14-28

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• Learning to Squander: Making meaningful connections in the infinite text of world culture

  Ashraf Jamal

  30-43

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• Remains to be said: the “um” in art and other disfluencies

  Maureen de Jager

  44-63

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• Becoming animal: liminal rhetorical strategies in contemporary South African art

  Ann-Marie Tully

  64-84

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• Interstices and thresholds: the liminal in Johannesburg as reflected in the video programme, the Underground, the Surface and the Edges

  Anthea Buys, Leora Farber

  86-101

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• Die Antwoord gooi zef liminality: of monsters, carnivals and affects

  Amanda du Preez

  102-118

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• Framing the debate on race: global historiography and local flavour in Berni Searle’s Colour Me series

  Kirk Sides

  120-136

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• At the border post of western art: the provisional “reaggregation” of Moshekwa Langa’s art into the South African canon

  Mary Corrigall

  138-157

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• Liminality, absence and silence in the installation art of Jan van der Merwe

  Runette Kruger, Jan van der Merwe

  158-170

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• Sojourns in occupied territory: works by Brent Meistre and Jo Ractliffe

  Bronwyn Law-Viljoen

  172-186

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