No. 36 (2022): Image and Text

Open Section

Reading gamefully: video gamification as multimodal pedagogy for high school setworks

Nic de Jager

1 - 41
- PDF
Book Review: African somaesthetics: cultures, feminisms, politics

Jenni Lauwrens

1 - 6
- PDF
The importance of context-relative knowledge for illustrating wordless picture books

Maria Magdalena Ellmann, Gera de Villiers, Elmarie Costandius, Adrie Haese, Neeske Alexander

1 - 22
- PDF
[Un]performing voice: Simnikiwe Buhlungu/Euridice Zaituna Kala

Katje Gentric

1 - 23
- PDF
Guernicas – A Commentary on the South African Condition Review of Post-apartheid Guernica (10 October 2021 – 30 January 2022)

Siseko H. Kumalo

1 - 6
- PDF

Special Section I

Complications and concessions: ecofeminism in Black Panther African Perspectives on Marvel’s Black Panther

Terry Westby-Nunn

1 - 20
- PDF
Re-forming Hollywood’s imagination: beyond the box office and into the boardroom African Perspectives on Marvel’s Black Panther

Jeanne-Marie Viljoen

1 - 17
- PDF
The Invisibilities of an Afrofuturistic utopia – the erasure of Black queer bodies in Black Panther African Perspectives on Marvel’s Black Panther

Melusi Mntungwa

1 - 21
- PDF
Accounting for the popularity of Black Panther among Black South African women in Soweto township African Perspectives on Marvel’s Black Panther

Blessing Makwambeni, Andzisani Prunnel Sibiya

1 - 20
- PDF
Black Panther: a reception analysis African Perspectives on Marvel’s Black Panther

Anusharani Sewchurran

1 - 18
- PDF
Killmonger: scoring modes and representation in Black Panther African Perspectives on Marvel’s Black Panther

Ntombi Ngubane

1 - 14
- PDF
Liberatory violence or the gift: paths to decoloniality in Black Panther African Perspectives on Marvel’s Black Panther

Xiletelo Mabasa, Priscilla Boshoff

1 - 21
- PDF

Special Section II

Special section editorial Challenging legacies in Post-Colonial and Post-Socialist notions of place

Karen von Veh, Landi Raubenheimer

1 - 3
- PDF
Defining a sphere of influence: Karel Landman’s centenary monument Challenging Legacies in Post-Colonial and Post-Socialist Notions of Place

Brenda Schmahmann, Vineet Thakur, Peter Vale

1 - 29
- PDF
Occupying Space: Land art and the Red Power Movement, c. 1965-78 Challenging Legacies in Post-Colonial and Post-Socialist Notions of Place

Scout Hutchinson

1 - 23
- PDF
Trauma and the Scottish Gàidhealtachd – Contemporary artistic responses to the Highland Clearances Challenging Legacies in Post-Colonial and Post-Socialist Notions of Place

Alexander Boyd

1 - 29
- PDF
Memorials, landscape and white masculinity: dialogic interventions in South African art Challenging Legacies in Post-Colonial and Post-Socialist Notions of Place

Karen von Veh, Landi Raubenheimer

1 - 27
- PDF
The ‟in-between” element of the Europa and the Bull myth: responses by contemporary Greek artists (2002- 2018) to the myth’s politicisation by the EU Challenging Legacies in Post-Colonial and Post-Socialist Notions of Place

Themis Veleni

1 - 25
- PDF
In search of a ‘POST’: The rise of Cosmism in contemporary Russian culture Challenging Legacies in Post-Colonial and Post-Socialist Notions of Place

Julia Tikhonova Wintner

1 - 21
- PDF
Queering the soil: Reimagining landscape and identity in queer artistic practices in Cyprus Challenging Legacies in Post-Colonial and Post-Socialist Notions of Place

Elena Parpa

1 - 20
- PDF

No. 36 (2022): Image and Text

Open Section

Reading gamefully: video gamification as multimodal pedagogy for high school setworks

Book Review: African somaesthetics: cultures, feminisms, politics

The importance of context-relative knowledge for illustrating wordless picture books

[Un]performing voice: Simnikiwe Buhlungu/Euridice Zaituna Kala

Guernicas – A Commentary on the South African Condition Review of Post-apartheid Guernica (10 October 2021 – 30 January 2022)

Special Section I

Complications and concessions: ecofeminism in Black Panther African Perspectives on Marvel’s Black Panther

Re-forming Hollywood’s imagination: beyond the box office and into the boardroom African Perspectives on Marvel’s Black Panther

The Invisibilities of an Afrofuturistic utopia – the erasure of Black queer bodies in Black Panther African Perspectives on Marvel’s Black Panther

Accounting for the popularity of Black Panther among Black South African women in Soweto township African Perspectives on Marvel’s Black Panther

Black Panther: a reception analysis African Perspectives on Marvel’s Black Panther

Killmonger: scoring modes and representation in Black Panther African Perspectives on Marvel’s Black Panther

Liberatory violence or the gift: paths to decoloniality in Black Panther African Perspectives on Marvel’s Black Panther

Special Section II

Special section editorial Challenging legacies in Post-Colonial and Post-Socialist notions of place

Defining a sphere of influence: Karel Landman’s centenary monument Challenging Legacies in Post-Colonial and Post-Socialist Notions of Place

Occupying Space: Land art and the Red Power Movement, c. 1965-78 Challenging Legacies in Post-Colonial and Post-Socialist Notions of Place

Trauma and the Scottish Gàidhealtachd – Contemporary artistic responses to the Highland Clearances Challenging Legacies in Post-Colonial and Post-Socialist Notions of Place

Memorials, landscape and white masculinity: dialogic interventions in South African art Challenging Legacies in Post-Colonial and Post-Socialist Notions of Place

The ‟in-between” element of the Europa and the Bull myth: responses by contemporary Greek artists (2002- 2018) to the myth’s politicisation by the EU Challenging Legacies in Post-Colonial and Post-Socialist Notions of Place

In search of a ‘POST’: The rise of Cosmism in contemporary Russian culture Challenging Legacies in Post-Colonial and Post-Socialist Notions of Place

Queering the soil: Reimagining landscape and identity in queer artistic practices in Cyprus Challenging Legacies in Post-Colonial and Post-Socialist Notions of Place

Special Section III

Special section editorial Corporeality / Sensoriality / Materiality: Body-centered interpretations of South African art

Light on loss in new works by Paul Emmanuel Corporeality / Sensoriality / Materiality: Body-centered interpretations of South African art

Embodied encounters with AntheA Delmotte’s performance of Return to Chaos Corporeality / Sensoriality / Materiality: Body-centered interpretations of South African art

From the physical to the digital: Encounters in the KKNK online gallery Corporeality / Sensoriality / Materiality: Body-centered interpretations of South African art

embodied-enTAnglements/ enTAngled-embodiments performaTIVe encounters with materials, creative process, and the artist-woman’s body Corporeality / Sensoriality / Materiality: Body-centered interpretations of South African art

Haptic modes of engagement in Willem Boshoff’s Blind Alphabet Corporeality / Sensoriality / Materiality: Body-centered interpretations of South African art

Haecceity and haptics: A critical explication of bookness in Speaking in Tongues: Speaking Digitally / Digitally Speaking Corporeality / Sensoriality / Materiality: Body-centered interpretations of South African art

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