No. 37 (2023): Image and Text

View No. 37 (2023): Image and Text

Published: 2023-11-30

Open Section

“Speak to a community audience”: The Staffrider illustrations of Mzwakhe (Muziwakhe Nhlabatsi) 1979-1987

Deirdre Pretorius

1 - 37
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Montage in play

John Higgins

1 - 21
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Health, hospital(ity) and hegemony: Artistic agencies of two women weavers at Ceza, 1962

Philippa Hobbs

1 - 31
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Special Section I

Special section editorial Art, access and agency - art sites of enabling

Johan Thom, Lize Kriel

1 - 9
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Conceptions of iconicity and their historical reorientations: Pippa Skotnes’s horse skeletons and the topos of the Annunciation Art, access and agency - Art sites of enabling

Suzanne de Villiers-Human

1 - 23
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Flowers, sex, labour and loss Art, access and agency - art sites of enabling

Johan Thom, Willem Boshoff, Olu Oguibe

1-16
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How Poetic Language Enacts Agency Art, access and agency - art sites of enabling

Bronwyn Law-Viljoen, Phillippa Yaa de Villiers, Fiona Zerbst

1-17
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Play-able: using play to realise the intent of social design Art, access and agency - art sites of enabling

Fatima Cassim

1-19
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Between damage and possibility: Informal Recycling Conceived as Life Raft Art, access and agency - art sites of enabling

Jacki McInnes

1-19
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The Curation of To Be(Hold) in Revere: An Exhibition of Historical Photographs of People with Intellectual Disability Art, access and agency - art sites of enabling

Rory du Plessis

1-25
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Exercising agency through embodied research and the making of screendances Art, access and agency - art sites of enabling

Kristina Johnstone, Tarryn-Tanille Prinsloo, Marth Munro

1-22
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A Combustible Object: The Suppression and Recovery of Ernest Cole’s photobook House of Bondage Art, access and agency - art sites of enabling

Sean O’Toole

1-28
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Exhibition Review Art, access and agency - art sites of enabling

Teboho Lebakeng

1-5
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Book launch exhibition: Light for Art’s Sake Art, access and agency - art sites of enabling

Carla Crafford

1-6
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Special Section II

Special section editorial Hitting home: representations of the domestic milieu in feminist art

Brenda Schmahmann

1-5
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Material worlds: Domestic objects and the question of auto/biography in contemporary art Hitting home: representations of the domestic milieu in feminist art

Clara Zarza

1-23
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Home is where the art is? Reflections on changing notions of home and contemporary art practices in the wake of the pandemic

Jacqueline Millner

1-19
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Being (not) at home: Exiled women artists in postwar New York Hitting home: representations of the domestic milieu in feminist art

Virginia Marano

1-25
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Re-claiming the lost home: The politics of nostalgia and belonging in women's art practices in the Middle East Hitting home: representations of the domestic milieu in feminist art

Maria Photiou

1-24
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Joanna Rajkowska’s Rhizopolis (2021): A rhizomatic refugium for caring commons Hitting home: representations of the domestic milieu in feminist art

Basia Sliwinska

1-25
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Inside The Red Mansion: Füsun Onur’s world of objects, care relations, and art Hitting home: representations of the domestic milieu in feminist art

Nergis Abıyeva, Ceren Özpınar

1-19
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At home in Harlem: The politics of domesticity in Faith Ringgold's The Bitter Nest Hitting home: representations of the domestic milieu in feminist art

Debra Hanson

1-23
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The art of labour: Representations of childbirth by Reshada Crouse and Christine Dixie Hitting home: representations of the domestic milieu in feminist art

Brenda Schmahmann

1 - 22
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"Sweep the yard girl": Brooms, wifely duties and the subversive art of Usha Seejarim Hitting home: representations of the domestic milieu in feminist art

Shonisani Netshia

1-22
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Breaking the ‘Law of the Father’: Linda Rademan’s transgressive engagements with Afrikaner patriarchy in the home Hitting home: representations of the domestic milieu in feminist art

Karen von Veh

1-25
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Labour, love, or violence? Farieda Nazier’s Don’t Make Me Over (2021) Hitting home: representations of the domestic milieu in feminist art

Roxanne Do Rego

1-26
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Cleansing shame: Airing South Africa’s ‘Dirty Laundry’ Hitting home: representations of the domestic milieu in feminist art

Dineke Orton

1-19
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Special Section III

Special section editorial Decolonising Speculative Fiction

Deirdre C. Byrne, Josephine Olufunmilayo Alexander

1-9
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Exploring Nnedi Okorafor’s decolonial turn in the Binti Trilogy Decolonising Speculative Fiction

Josephine Olufunmilayo Alexander

1-28
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Future Frontiers: Ontological Osmosis and Africanfuturist Cyborgs in Nnedi Okorafor’s Lagoon Decolonising Speculative Fiction

Brett Banks, Jethro Kayat, Jean Rossmann

1-20
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Deliberately derivative: levels of decolonisation in Nnedi Okorafor’s Akata Witch Decolonising Speculative Fiction

Dorothea Boshoff

1-20
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The Black Female Messiah in Nnedi Okorafor’s The Book of Phoenix Decolonising Speculative Fiction

Bernice Borain

1-19
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Spectre and Speculation: Haunting and Uncanniness in Soweto, Under the Apricot Tree by Niq Mhlongo Decolonising Speculative Fiction

Eugene de Klerk

1-23
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Whose city? (De)colonising the bodies of speculative fiction in Lauren Beukes’s Zoo City Decolonising Speculative Fiction

Natasha Lyle Weston

1-16
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South African experiences in a restructured post-apocalyptic geo-political future as depicted in speculative fiction Decolonising Speculative Fiction

Irikidzayi Manase

1-15
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Give the Black Girl the Remote: Decolonising and Depatriarchalising1 Knowledge and Art in Black Panther and Colour Me Melanin Decolonising Speculative Fiction

Deirdre C. Byrne

1-22
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Being (in)formed by indigenous voices: First steps to using graphic narratives to decolonise speculative fiction Decolonising Speculative Fiction

Jeanne-Marie Viljoen

1-22
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