No. 23 (2014): Image and Text

Open Section

• Editorial

  Leora Farber, Ann-Marie Tully

  5-17

  • PDF

• Bracha Ettinger off (hors) figures

  Nicolaus Bourriaud

  18-33

  • PDF

• Trauma and fragilisation Bracha Lichtenberg Ettinger’s artistic ethics, cultural memory, and post-apartheid South Africa

  James Sey

  34-44

  • PDF

• Materialising HIV/AIDS in the Keiskamma Altarpiece

  Brenda Schmahmann

  45-71

  • PDF

• A voice of her own speaking her narrative through pointure-practices

  Leora Farber

  72-92

  • PDF

• The users of lace: a socio-political case study

  Jillian Carman

  93-109

  • PDF

• “Not a straight line by a spiral” charting continuity and change in textiles informed by feminism

  Alexandra Kokoli

  110-129

  • PDF

• Second skins cloth, difference and the art of transformation

  Christine Checinska

  130-144

  • PDF

• Punctured and stitched Derrida’s pointure and intertextual polyphony in dandyism meets Athi-Patra Ruga’s Future White Women of Azania

  Mary Corrigall

  145-160

  • PDF

• Scars, beads, bodies pointure and punctum in nineteenth-century “Zulu” beadwork and its photographic imaging

  Anitra Nettleton

  161-185

  • PDF

• Dream weavers horned animal autobiographies and pointured forms

  Ann-Marie Tully

  186-211

  • PDF

• Heidegger, Schapiro, Derrida the three-in-one, and a pair of boots

  Jane Taylor

  212-229

  • PDF